Showing posts with label art instruction. Show all posts
Showing posts with label art instruction. Show all posts

Sunday, 7 November 2010

How to draw and paint trees

Autumn Forest in oil pastels by Martin Stankewitz (How to draw a tree)

The trees are fabulous at the moment - and we should all be out making the most of them as landscape motifs!

For those who need some help in how to approach this, here are some links to very experienced artists and bloggers who have been writing about and drawing trees this year.

Stapleton Kearns - http://stapletonkearns.blogspot.com/

In the earlier part of 2010, Stapleton was writing about tree anatomy and how to look at trees - to understand their structure - and how to paint trees
He also has some tips for drawing and painting sky holes - those bits of trees that the birdies fly through - and various other aspects of drawing and painting trees
  • Skyholes part 1 - about trying to find some order and relationships within the grouping of sky holes
  • Sky holes 2 - about what colour to paint the sky holes so they don't jump out
  • Sky holes 3 - studies sky holes in paintings by master landscape painters

How to draw a tree - http://www.draw-a-tree.com

This is Martin Stankewitz's blog - his emphasis is much more on drawing trees.  His recent posts have included:

Pastel Pointers -  http://pastelpointersblog.artistsnetwork.com

Richard McKinley also has some tips for

    and finally....

    Here's a link to a newspaper article about Stourhead - one of the classic tree landscapes in the UK - which is always renowned for its autumn leaves

    Saturday, 31 July 2010

    David Curtis - Light and mood in watercolour

    This video complements David Curtis's book Light and Mood in Watercolour on the same topic which is where I personally first started when finding out more about how he worked.  I'd seen his paintings before and was delighted in 2005 to find a book which explained his approach.

    It's also one of the more intelligent books written on this topic and is very definitely NOT one of the "dumbed down" books which get published all too often these days.  It's very much a book for artists who enjoy reading!

    What i like about it is that it hasn't been written in a formulaic style.  It's more like a narrative interspersed with appropriate headlines and images.  I guess it's a bit like listening to a tutor talking about how they approach a topic and telling you what they're doing as they do it.

    So for example he talks about "Developing Ideas" and within that discusses sketching, tone and colour - rather than having specific chapters dedicated to 'Colour".  It takes a bit longer to read and is less easy to scan - but actually it's a more satisfying read at the end of the day.

    I particularly enjoyed the fact that there is more text - and absolutely no step by step diagrams - than many provide on the different watercolour techniques he uses.  I'll do a more detailed review on Making A Mark reviews but I hope the above and the video below give you a sense of what he is about and how he approaches making his art.

    This video gives you a sense of the different type of landscapes he paints in watercolour and how he tackles them in different contexts.

    Here's the blurb from APV films about what the video is about
    Painting outdoors in all weather conditions is very important to David. Working in pure watercolour in a loose and immediate way he is able to capture the light and mood of a place. Here he chooses to paint the pastural scenery of his native Yorkshire in the early spring as well as the city streets of London and Paris. He also works in his studio, painting a more considered watercolour using an oil painting as source material.


    Books and DVDs by David Curtis

    You can find a new section dedicated to David Curtis in my "resources for artists" website The Best Books about Landscape Painting  

    Below you can find my Amazon Associate links to David Curtis's books - I don't usually do this like this but I do rate this artist very highly.

    United Kingdom
    United States of America

    Wednesday, 28 July 2010

    David Curtis demonstrates "A Light Touch: Landscapes in Oils"

    In this video, David Curtis is back to painting in oils and this time the 'light' is all about a lightness of touch which he likes to use when painting in oils.



    Notes I made while it was playing focus on:
    • he likes to use scrubby strokes at the beginning of landscape paintings
    • palette focus on main colours used for his landscape palette
    • capitalise on the light and getting the patina of light right
    • getting the highlights marked in at the beginning of the painting
    • seeing the picture as a whole in terms of shapes of light and shade
    • a constant focus on tones and getting the register of light and dark right
    • the importance of developing your memory when painting plein air
    • the importance of NOT honing in on one area - which you might like a lot - for too lomg
    Books and DVDs by David Curtis

    You can find a new section about David Curtis in my "resources for artists" website The Best Books about Landscape Painting  

    These are my Amazon Associate links to David Curtis's books

    United Kingdom

    United States of America

    Monday, 26 July 2010

    David Curtis - Light in the Landscape

    This YouTube video Light in the Landscape by David Curtis is all about painting light in the landscape.  In 2 minutes and 44 seconds it gives some top tips for painting plein air in oils.



    Books and DVDs by David Curtis

    You can find a new section about David Curtis in my "resources for artists" website The Best Books about Landscape Painting  

    These are my Amazon Associate links to David Curtis's books

    United Kingdom

    United States of America

    Wednesday, 5 May 2010

    How to draw a tree by Edition Handdruck

    My friend and ace artist/draughtsman/printmaker Martin Stankewitz (Edition Handdruck) produces delightful plein air pen and ink drawings and then fabulous monotype and giclee prints from the drawings and sketches.

    Martin is very fond of drawing trees and recently he's been sharing his enthusiasm for drawing trees in a number of different ways

    He's been very busy creating a whole set of resources and different ways in which people can share what's learned.

    How to draw a tree is a visual summary of my experiences in drawing and sketching trees from life.

    Rather than teaching a drawing method the little booklet shall encourage the reader with example drawings, mainly in pen and ink, to own explorations and to use the own handwrite.

    The text concentrates on important aspects of tree drawings as proportions, trunk and branches and how to depict foilage of trees.

    How to Draw a Tree

    These include:

    How to Draw a Tree - the blog

    the book cover of 'how to draw a tree'

    PLUS a whole suite of 'how to draw a tree' sites aimed at helping people improve their skills in drawing trees.
    To give you a taster, the first of these includes:
    • Learning by doing - tree drawing from LIFE
    • Three critical points in depictions of trees
    • Rythm and patterns in foliage
    • Some tricks that help to get a convincing tree drawing
    • How to draw the trunk of a tree
    • plus some examples of how he applies basic principles in his own drawings in different media
    • and some examples from well known artists from the past and the present
    "How to Draw a tree" is a gold nugget of art education - and in my view is it's well worth investing some time in studying what he has to say. I need to improve my tree drawing and I'm going to be reading it from end to end more than once!


    motifs from Martin Stankewitz's 'how to draw a tree' information websites
    copyright the artist/printmaker

    Martin is German and he lives in Maulbronn in southern Germany. However his English is excellent and his advice and information is very easy to understand. He also includes a 'translate into English' option on all his blogs.

    Overall, I think his resources are a really refreshing change from all the normal 'how to draw a tree' books which seem to be produced these days. I highly recommend exploring all the resources Martin has to offer.

    Other landscape blogs by Martin include:
    Plus you can purchase his original monotype prints or buy reproductions of his fine art prints

    Monday, 26 April 2010

    Charles Reid's 5 Tips for Painting Water

    Water is one of those subjects which can be difficult to master in any media. It's always good to get tips from those who have mastered their media as well as the subject matter.

    Today's post comes from the Watercolor Artist blog via the South Africa Society of Artists and their post Charles Reid's 5 Tips for Painting Water

    watercolour painting by Charles Reid
    Here's a little gem we plucked from our archives:

    Charles Reid's
    best tips for painting water:

    1. Water should be painted with hard edges between the light from the sky and the reflections from trees, buildings or boats.
    2. Paint wet-in-wet within the reflections but rarely where the reflection meets the sunlight.
    3. For distant water on the horizon, try moist Antwerp blue or peacock blue (Holbein). Sometimes I use ultramarine violet if the horizon line of the sea seems very dark.
    4. In shallow water, use diluted Antwerp blue, peacock blue or Winsor blue. These are all transparent blues that retain their color identity when diluted.
    5. Sometimes water near the shore can turn a delicate turquoise green. You can add turquoise green to your palette, or simply mix diluted cadmium yellow pale or lemon yellow with one of the diluted blues to achieve the same color.
    I can certainly recommend Charles Reid's books about painting in watercolour - as can others. See my information site about The Best Books about Watercolour Painting for more information.

    Advice and information from The Watercolor Artist is also available as follows

    Tuesday, 23 February 2010

    Art Instruction: Drawing and Painting Landscapes in Watercolour

    The Practice of Drawing and Painting Landscape from Nature in Water Colours was written by Francis Nicholson in the early nineteenth century.

    Its title page is very precise as to its aim and the potential benefits for the reader:
    • exemplified in a series of instructions
    • calculated to faciliate the progress of the learner
    • including the elements of perspective, their application in drawing from nature and the explanation of the various processes of colouring, for producing from the sketch the finished picture
    • with observations on the study of nature
    • and various other matters relative from the arts
    The first edition sold out.

    This second edition was published by Thomas Davison, Whitefriars in London in 1823 - and subsequently found its way into the New York Public Library system

    The language is obviously somewhat stilted to that which we are used to today. However for those who are prepared to put in the effort to reading this book you'll find it long on explanation and that it includes images to help explain the instruction. All in all quite a contrast to the art instruction book of today. This is one for those who prefer their art instruction books to not be dumbed down!

    Read this book for FREE

    This book has been digitized by Google and is now available to download as PDF or EPUB files - for FREE! Alternatively you can read it online.

    The contents page is displayed on the right. I like the titles of some of his chapters such as "Accidents in Painting" and "Licences in Drawing". I've only dipped into it so far but it looks very interesting. It includes for example a detailed explanation of how of how to use a Claude mirror ('the blackened convex mirror') on page 21 and 22.

    The contents page in Google Books includes hyperlinks to the different sections.

    I also found it interesting how many references are included to landscape painters from the past. It gives you an insight into the thinking behind landscape drawing and painting at the time as well as useful tips on 'how to'. His language (starting on page 33) when he doubts the advice of Sir Joshua Reynolds on drawing vs painting and quotes Michael Angelo (sic) in support of his view had me grinning from ear to ear!

    Reviews: If you write a review of this book on your blog do let me know and I'll highlight your review on this blog.

    Sir Francis Nicholson

    I tried to find out a little bit about the author Francis Nicholson and concluded that he was in all probability Sir Francis Nicholson (14 November 1753 – 6 March 1844) who was a Yorkshire born landscape painter who worked in both watercolours and oils but grew to focus on landscapes in watercolour.

    He was also a founding member of the Society of Painters in Water Colours now known as the Royal Watercolour Society. It's not every day that you get to read a book by a leading member of such an august body!

    Sunday, 21 February 2010

    Art Instruction: Landscape Painting in Pastels

    Deborah Secor is publishing a book online via a blog called Landscape Painting in Pastels.

    Deborah is well known to many in the pastel world. Besides being a practising pastel artist, she's also a pastel art tutor, writes for the Pastel Journal and was for some time a very popular Moderator of the Pastels Forum on Wet Canvas.

    Her art instruction book is not available in traditional print format and Deborah has, very generously, decided to make it available for free. Part of it is based on articles she has written for and published in the Pastel Journal.
    I contemplated selling this book, but in the final analysis I decided that it was better to give. Jesus tells us, "Freely you have received, freely give." So I will. I hope you enjoy and benefit from it.
    Note that information contained in the blog may be downloaded for personal use only. Readers are forbidden to reproduce, republish, redistribute, or resell any materials from this weblog in either machine-readable form or any other form without specific written permission of the author. For permissions and other copyright-related questions, please email your question to: deb@deborahsecor.com

    So if you want to read her book you need to follow her blog - and I recommend a subscription. Needless to say this blog has been instantly added to my Google Reader and the tutor section of the blogroll in the ruight hand column of this blog! :)

    Book content

    Deborah's book will cover the following topics. One chapter per week will be posted. Those chapters shown in blue are already live.
    Landscapes in Pastels

    Section 1 Materials

    Chapter 1 Pastels and Other Materials
    Chapter 2 Surfaces and Effects
    Chapter 3 Getting Started
    Chapter 4 Letting Value Lead

    Section 2 Landscape Subjects

    Chapter 5 Aerial Perspective
    Chapter 6 Mountains
    Chapter 7 Sky
    Chapter 8 Clouds
    Chapter 9 Night
    Chapter 10 Sunrise, Sunset
    Chapter 11 Trees
    Chapter 12 Foliage
    Chapter 13 Foregrounds
    Chapter 14 Rocks
    Chapter 15 Shadows
    Chapter 16 Water and Reflections
    Chapter 17 Gardens
    Chapter 18 Snow

    Section 3 Color

    Chapter 19 Color Theory
    Chapter 20 Color Experiments
    Chapter 21 The Green Problem
    Chapter 22 White Done Right
    Chapter 23 The Photograph Problem

    Section 4 Experiments

    Chapter 24 Free Yourself of the Photo
    Chapter 25 Value and Color
    Chapter 26 Make a Puzzle Painting
    Chapter 27 Value/Color Chart
    Chapter 28 Imagine a Painting
    Chapter 29 Colored Grounds
    Chapter 30 Limit your Palette
    Chapter 31 Limit Time and Palette
    Chapter 32 20-Stroke Painting
    Chapter 33 Temperature

    Section 5 Moving On

    Chapter 34 From Studio to Plein Air
    Chapter 35 Criticize Your Work

    If you appreciate what Deborah is doing with this blog can I suggest you leave a comment on her blog and let her know.

    Note: Deborah Secor's paintings have been selected for inclusion in several books devoted to the pastel medium: The Pastel Painter’s Solution Book; Pure Color: The Best of Pastel; Painting With Pastels, by Maggie Price. She aso has two video workshops available on DVD or streaming at Artists Network TV: Get Started in Pastels: Deborah Secor Paints the Landscape and Painting Outdoor Shadows in Pastel with Deborah Secor.

    Friday, 12 February 2010

    TIP: Foliage and Sky Holes

    Richard McKinley (Pastel Pointers) writes about When the Light Comes Through the Trees on The Pastel Pointers Blog and references John F. Carlson's theory of how to tackle values in the landscape (see Carlson's Guide to Landscape Painting)

    pastel painting by Richard McKinley
    (see more on his website)
    Having dark, upright trees against a light sky produces one of the most beautiful and difficult to handle situations in the landscape: sky holes. The amount of visible sky holes depends on the density of the foliage, but as an artist friend often said, “You have to give the birds a place to fly in and out.”
    When the Light Comes Through the Trees
    Richard goes on to provide some very useful commments about the issue of the colour and tonal values of the birdie holes and the foliage surrounding them. This is a recommended read.

    Thanks to Richard also for his lovely pastel painting of trees - and sky holes for the birdies!

    Tuesday, 9 February 2010

    The Sight-Size Method en Plein Air

    American Artist had an article by Marc Delassio (Marc Delassio) in its December edition - which is available to download for free - click Marc Delassio - Painting Landscapes in Exact Scale
    The Sight-Size Method en Plein Air
    The sight-size method is incredibly useful for landscape painting as it allows the artist to focus on colors, values, and edges; the shapes one paints seem to take care of themselves.
    Marc Delassio - Painting Landscapes in Exact Scale
    Can I suggest reading it enlarged on screen as it prints out at half the size of the magazine and unless you have laser like eyes you'll have difficulty reading it!

    Marc has also announced a Plein Air Workshop in June, 2010: a 10 day course on using sight-size in plein air painting near Trevi, Umbria.

    Links: