Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts

Sunday, 9 November 2014

Peder Balke and Norwegian landscapes at the National Gallery

On the 12th November, a new exhibition of 50 paintings by the 19th century Norwegian artist Peder Balke (1804 - 1887) will open in the Sunley Room of the National Gallery in London. Admission is free and the exhibition will continue until 12th April 2015. Most of the paintings have never been seen before in the UK.

This exhibition continues a theme of exhibitions of landscapes by Scandinavian artists in recent times. Previous ones have included
This exhibition has been organised by the Northern Norway Art Museum, Tromsø, in collaboration with the National Gallery, London.  The paintings on display include ones from private and public collections across Europe that represent every facet of the artist’s career.

Peder Balke, The Mountain Range ‘Trolltindene’, about 1845
Peder Balke, The Mountain Range ‘Trolltindene’  c.1845
Collection of Asbjørn Lunde, New York
© Photo courtesy of the owner
There's a video on YouTube of his paintings with some rather marvellous music

Thursday, 25 July 2013

Bill Guffey's plein air painting kit

Following on from the last post about an artist's plein air equipment. here's Bill Guffey's kit which he explains in this post - My Plein Air Equipment on his blog Bill Guffey.

See a larger version in Bill's post
You can see larger images of the kit on his post - just click an image in his post to see the larger version.
I hope this gives you an idea of what, how and why I pack what I do to go paint in the great outdoors. If you have any questions, please let me know and I'll see if I can answer them for you.
Bill is a Kentucky artist who paints in oils.  He's a member of the American Impressionist Society and an associate member of the Oil Painters of America. You can see Bill's paintings on his website http://bnguffey.com/

He founded the Virtual Paintout blog for those painting from views seen via Google Paintout.

Links to more posts on this blog about Bill Guffey:

Monday, 15 July 2013

Rick Delanty's plein air kit

I love looking at the kit people take out with them - and am even more impressed when they do an annotated drawing for us all of what it entails. Below is the kit of one artist and at the end is an invitation for you to show me what your kit looks like.

Below is the annotated drawing of a photo of the plein air kit of Rick Delanty. Rick says
taking only what you need into the field is a challenge!

Annotated drawing of Rick Delanty's plein air kit
and this is the photo of the kit proper

Rick Delanty's plein air kit
You can see Rick's paintings at Rick J. Delanty Fine Art.  For 32 years. Rick taught high school drawing and painting at San Clemente High in San Clemente CA.  He retired in 2006 and became a full time landscape painter.  Artists who have influenced him include Monet, Winslow Homer, Van Gogh, James Whistler, and contemporary landscape painters April Gornik and Neil Welliver. Rick is a member of the California Art Club, the Laguna Plein Air Painters Association, and Christians in the Visual Arts (CIVA). His blog is called The Color of God.

Below you can see Rick Delanty painting in California.

Rick Delanty plein air painting

Show me your plein air kit


If you've got a well organised kit and would like to share your choices and approach to plein air kit assembly with other artists on this blog, send me a URL link to a blog post or website page which include an annotated drawing (or photo) of what you take with you when you go painting landscapes plein air!  Any explanation for your choices is also welcome.

This is how to contact me.



Friday, 19 October 2012

'Dieppe from the East' by John Sell Cotman and JMW Turner

This post is about two paintings of Dieppe painted by JMW Turner and John Sell Cotman at more or less the same time - give or take a year!  It also covers the concept of staffage and how to access Turner's sketchbooks

You can see both paintings - hung next to one another in  Cotman in Normandy - the new exhibition of watercolour paintings, drawings and etchings by John Sell Cotman at Dulwich Picture Gallery.

The Cotman painting was definitely produced in his studio and the Turner was either painted on a loose leaf of watercolour paper while in Dieppe or was worked up as a colour study from his sketchbook.  They neatly contrast the different approaches and styles of the two artists when faced with the identical view.  (See my Review: Cotman in Normandy - at Dulwich Picture Gallery on Making A Mark for the explanation of why all Cotman landscapes were done in his studio.)

Dieppe from the heights to the East of the port (1823) by John Sell Cotman
Graphite and watercolour with pen and ink and scratching out of the paper
Victoria and Albert Museum
Dieppe from the East (?) (1826-7) by JMW Turner
Graphite and watercolour on paper
Turner Bequest
Turner's 1826 French tour began at Dieppe towards the end of August. His first sketchbook (no.5) includes only a general view of the town of the kind he had already noted two years earlier. But it seems that he also made some sketches on loose sheets of paper. On these he again recorded the quaysides, which had formed the subject of his large oil painting of 1825 (Frick Collection, New York)
Interestingly the description of the work in the exhibition indicates that this watercolour was probably developed from the 1821 sketchbook and produced as part of an unrealised sceheme to represent both sides of the Channel.

Tuesday, 17 January 2012

David Hockney RA talks about landscape painting

David Hockney RA - A Bigger Picture - Gallery Guide
opening at the Royal Academy of Arts on 21 January 2012

I'm currently writing a review of the new exhibition by David Hockney at the Royal Academy of Arts - David Hockney RA - A Bigger Picture - which I saw today.  It opens to the public on Saturday 21st January.

The exhibition focuses on his recent landscape painting and the majority of the artwork on display in the complete suite of Main Galleries are paintings of the Wolds in East Yorkshire.  This is the area inland from Bridlington where he now lives.

I've rapidly arrived at the conclusion that I need to deal with various specific aspects of the exhibition in posts on this blog - which is what I'll be doing.

This particular post provides an index of opportunities to hear David Hockney talking about his landscape painting and why he's been painting the Easy Yorkshire Wolds in particular for the last few years.

One of the interesting aspects of David Hockney is that he is very articulate and not at all bashful about airing his views on art, painting and anything else he's interested in.

Below you can find links to:

  • a ten minute Channel 4 News interview with David Hockney (posted today) in which he talks about the attractions of the East Yorkshire countryside, his use of the iPad for sketching




  • HIGHLY RECOMMENDED: Sunday Feature - New Ways of Seeing with David Hockney - an hour long Radio 3 programme  in which Rachel Campbell-Johnston interviews David Hockney at his Bridlington home and his studio ahead of the major exhibition at the Royal Academy.  The link is to where you can access it via iPlayer Catchup. 
  • HIGHLY RECOMMENDED: Bruno Wollheim's film (available on DVD) - made over the course of 3 years and first aired on the BBC in 2009 - is one of the best films I've ever seen of the contemporary practice of a painter painting plein air.  There's a lot of film of Hockney painting.  You also get to see how he works with his team of studio assistants.  Read my review of the film when originally shown on the BBC - Review: David Hockney - A Bigger Picture

Saturday, 16 July 2011

The Landscapes of Georgio Morandi

Larry Groff (Painting Perceptions), a landscape and cityscape painter living in San Diego, has written an  excellent blog post about Giorgio Morandi, The Essence of the Landscape.

I'm with the person who commented to the effect they had no idea that Giorgio Morandi did landscapes as well as still life.

Here's a YouTube video of some of Morandi's work created by Groff - but I do recommend you take a look at the post too.


Here also is what Larry says about his blog.  His sentiments for starting the blog are certainly ones I can identify with and it looks like one which will get added into my Google Reader list.

After painting for about 30 years I’ve often felt discouraged that perceptual painting has often gotten less attention in the major art publications, online venues and art world in general compared to conceptually-based artists. Eventually I asked myself, “why not start a blog devoted to modern painting done from life?”


There are magazines, like American Artist, which has articles about some very good contemporary realists working from life but many of the articles lean towards a more conservative and non-modern style. There are blogs and forums on the web which focus more on academic realism or photorealism but there is little to be found in magazines or blogs that specifically focuses on perceptual painting with a contemporary modern sensibility. This blog aims to correct that problem.