Places to Paint: David Hockney and East Yorkshire

The Hockney Trail is a new website which provides an insight into all the places where David Hockney has been painting in East Yorkshire - and in particular those which can be seen in the David Hockney RA - The Bigger Picture exhibition at the Royal Academy of Arts

This is a major contribution to the "places to paint" theme which I return to periodically on this blog.  If I can locate the place where John Singer Sargent painted a painting, then surely it's possible to do the same for a contemporary painter like Hockney?  This website would suggest that's the case.

The Hockney Trail website

It was also bound to happen - and, as it happens, this website has done the job rather well - BUT with a major caveat (see end).

The Hockney Trail provides:

• a Google Map of various locations where the paintings were painted.  
• details of which Ordnance Survey Maps cover the area
• details of where Hockney country is - and facilities in the area eg places to visit, eat and sleep
• details of various locations of Hockney paintings of East Yorkshire
• Kilham Road and the location of "Tracks into Wheatfields"
• the A166 - at the location for the painting "Garrowby Hill"
• the location for the painting of "Bugthorpe Valley"
• the location of the paintings of "Three Trees near Thixendale" - the paintings which you encounter - in all four seasons - as you enter the exhibition
• the location of "The Road to York Through Sledmere" (which is my version of the location of this Sledmere painting- done while sat with page 92 of the catalogue open in front of me!)

I made a few discoveries of my own.  First here are the locations I've found since reviewing the website

• this is the location of "The Tunnel" which is the subject of a number of the paintings in the exhibition - and also one of the films.  It's on the right of the Kilham Road to the west of Kilham, going towards Langtoft.  It's a long straight farmer's track between his fields

Hockney's Tunnel

David Hockney
A Closer Winter Tunnel, February - March, 2006
Oil on 6 canvases, 182 x 365 cm
Collection Art Gallery of New South Wales.
Purchased with funds provided by Geoff and Vicki Ainsworth, the Florence and William Crosby Bequest
and the Art Gallery of New South Wales Foundation 2007
Copyright David Hockney / Collection of Art Gallery of New South Wales, Sydney
Photo credit: Richard Schmidt

This is Woldgate and the location of Winter to Spring in Woldgate the major installation in the main Gallery at the RA (see yesterday's post Hockney: 51 iPad drawings on paper - Winter to Spring in Woldgate).  I estimate it's about 10 minutes from Hockney's house in Bridlington and is a brilliant spot to be able to get to quickly when the light looks good.

• Woldgate is an old Roman Road which runs between Bessingby Hill on the outskirts of Bridlington and the village of Kilham.  
• This is the Hockney Trail page for Woldgate.  

Woldgate

and this is one of the digital paintings Hockney did on his iPad in this location.

David Hockney
The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 2 January
iPad drawing printed on paper
144.1 x 108 cm; one of a 52-part work
Courtesy of the artist
Copyright David Hockney

I have to confess this location hunting is addictive.  I think that's it for today - but I'll be back.......

The second thing I discovered yesterday is that East Yorkshire has the Wold Wide Web - with links to pages about all the villages in the Wolds.  How about that for an example of Yorkshire humour?

But how long will it be around?

My only query about the The Hockney Trail website is whether or not it's authorised.

It doesn't seem to have any sort of formal association with either the artist or any of the sponsors of the current exhibition at the Royal Academy.  I don't think it falls within the normal copyright exemptions for the use of Hockney images given the adverts which are visible in my other browser which doesn't block adverts (you're seeing the advert-free version - and I'd written most of this before I realised it had them!).

My current thoughts are that maybe the originator is well intentioned but maybe not aware of just how jealously the Hockney empire protects the copyright.  I think he might find somebody giving him the virtual tap on the shoulder sometime soon.  It would also appear that maybe the images of some paintings have already been taken down......

PS  I am by the way posting a scheduled post.  I'm actually currently sat in the RA having lunch with my sister after having just seen the exhibition for the third time!  Join the Friends of the RA and go as many times as you want - and take an adult family guest for free!


Links to related posts about Hockney and the exhibition:

• David Hockney RA talks about landscape painting
• Hockney: sketchbooks, iPad sketching and the Yosemite Valley
• Hockney: 51 iPad drawings on paper - Winter to Spring in Woldgate
• MAKING A MARK: Review: David Hockney RA - A Bigger Picture 17 Jan 2012
• MAKING A MARK: Review: David Hockney - A Bigger Picture 02 Jul 2009

The 'Virtual Paintout' wins The Best Art Blog Project Virtual Challenge Cup

It was my great pleasure last month to award The Best Art Blog Project Virtual Challenge Cup to Bill Guffey's The Virtual Paintout as part of the Making A Mark Awards for Generating Art.

Here's what I had to say.

The Best Art Blog Project Virtual Challenge Cup

Art can be quite a lonely activity and it's noticeable that people often like to have some sort of involvement in groups and projects related to art! This award is for:

• EITHER a major and reputable new project which adds value and involves a large number of bloggers
• OR a project which has grown over the course of the year in question or otherwise had some significant impact during the course of the year

Nominations for this award were:

The Virtual Paintout by Bill Guffey nominated by Charlene Brown  Seconded by Leslie Hawes
My nomination for the Best Art Blog Project Virtual Challenge Cup is The Virtual Paintout by Bill Guffey.  Using Google Streetview as a source of inspiration for paintings provides just the right degree of unity around a shared theme, and diversity of subject – and lends itself to an incredible variety of interpretations. It’s hard to say which is more fun, finding your perfect location by navigating around the selected area on Google, or looking at all the great stuff other people have found!

The "Creative Every Day Challenge" and the associated challenge, "Art Every Day Month" hosted by Leah Piken Kolidas Nominated by Peggy Stermer-Cox 
To explain, the challenge runs all year long with a Monday check-in. Then, in November, check in is daily. Optional themes are given each month for exploring, or not.  What I think is special about this art blog is the vast array of artists who participate: fine art, fine craft, writers, dancers, photographers, etc. Leah started the challenge in 2008. I also like the wide range of experience in the participants.

The Creative Every Day Challenge is an older and bigger site and obviously attracts a lot of participants.  It's also very laudable to be promoting creativity amongst art bloggers.  However in terms of accessibility I found it a bit difficult to navigate and I did notice you didn't need to be an art blogger to participate - and these awards are about art blogging.

By way of contrast, the joy of Bill Guffey's Virtual Paintout site is that it has a very simple concept which is the same every month - painting scenes from specific locations using Google Streetview.  The only thing which ever changes is the place and the map.  The participants get to choose the location they want to paint and then provide the link to the map and the image of what they've produced to Bill for posting to the blog. 

Two paintings of County Clare, Ireland from the December thread

Bill has succeeded in attracting a large number of participants every month - and the benefit is that you can see all the pictures on the blog and that makes it very easy for non-participants to understand the project and see its results. I also like the way that it shows people that they can find places to go and paint plein air using Google Street View and consequently its impact is not just limited to this blog!

Finally to top it off, Bill managed to get himself on TV when Prince Edward Island in Canada discovered they were the chosen location of the month!  I like both the accessibility and the impact of this art blog project and so.....

The 2010 winner of
The Best Art Blog Project Virtual Challenge Cup is
Bill Guffey for The Virtual Paintout

The Field of Gold

Did you know that today is the anniversary 490 years ago of the setting up of the Field of Gold?

No - that's not the Eva Cassidy song.  I'm referring to the Field of the Cloth of Gold - the site of a meeting that took place from 7 June to 24 June 1520, between King Henry VIII of England and King Francis I of France which was intended to consolidate their friendship following the Anglo-French treaty of 1514.

What's fascinating from an artist's perspective is the painting which records the meeting and the local landscape.

• Landscapes at that time almost always featured as a backdrop for something specific in the foreground and this one is no different.  
• It's also interesting to look at how the artist treated perspective which reflects hierarchy as much as literal perspective.

The Field of the Cloth of Gold
coloured print by James Basire in 1774,
from a 16th century oil painting in the Royal Collection.
Source: Wikimedia

The original painting The Field of the Cloth of Gold, 1520 was painted around about 1545.  Presumably it was painted for Henry VIII.  It's now owned by the Queen.

It's an oil painting on canvas and measures 168.9 x 347.3 cm - that's 66.5 in x 136.7 in which makes this a VERY BIG painting since that's over 5 feet high by more than 11 feet wide.

The meeting between Henry VIII and Francis I known as the Field of the Cloth of Gold took place on 7 to 24 June 1520 in a valley subsequently called the Val d’Or, near Guisnes to the south of Calais. It derived its name from the sumptuousness of the materials used for the tents, pavilions and other furnishings. It was a spectacle of the greatest magnificence and the several artists responsible for this painting have made a fairly accurate visual summary of the various festivities that took place during the meeting of the two kings, which was dominated by a seventeen-day tournament.

The English party was based at the town of Guisnes, seen in the left half of the painting.
The Royal Collection

I tried locating the land in the painting between Guisnes and Ardes in the Pas de Calais on Google France Maps/Streetview.  It's just east of where the Eurotunnel comes out.  It appears that today the site of the Champ d'Or (Field of Gold) is now home to a French hypermarché!

From completed landscape drawing to Streetview

Monterchi from the Via Madonna del Parto
8" x 10", coloured pencil on Arches HP
copyright Katherine Tyrrell

This is the reverse version of the Virtual paintout process. First the drawing and then the Streetview perspective!

Above is a drawing of Monterchi in Tuscany - home of the Madonna del Parto by Piero della Francesco and below is the scene from Streetview of very nearly the place where I got this view. I was stood one row into the vines on the right hand side. The Streetview is from the Via Madonna del Parto.

The Streetview perspective seems to me to be mid afternoon whereas my view was on my regular drive from Citerna to a house near Lippiano - which involved going past this view at about 9am each morning - hence mine has a rather different light and the shadows are different.

I'm tickled pink to see that the very tall post for the vines is still there and is still leaning precariously!



Visualizzazione ingrandita della mappa

Has anybody else gone back to find the view they drew or painted on holiday via Streetview?