Showing posts with label landscape photography. Show all posts
Showing posts with label landscape photography. Show all posts

Sunday, 21 December 2014

BBC4 Tales of Winter: The Art of Snow and Ice

Tonight, BBC4 is repeating an excellent programme Tales of Winter: The Art of Snow and Ice which explores how the onset of winter has been depicted by Western painters across the centuries. The programme will be available on BBC iPlayer shortly after it is broadcast at 7.30-9.00pm.

If  you don't live in the UK and would still like to see it, I suggest you take a peek at YouTube and view the same programme in six films of 10 minutes.

The programme comprises several commentators, many of whom are wrapped up warmly and clutching reproductions of the paintings as they revisit places the artist knew and review how similar the painting is to what's there today. I'm a complete sucker for programmes like this and I'll definitely be watching!

Tales of Winter - The Art of Snow and Ice

  • Part 1 of 6 covering the very cold winters in the 16th century - including Brueghel's painting of Hunters in the Snow - the first ever painting of a landscape under snow - with comments by Grayson Perry and Jonathan Jones and a cartoon based on it by Peter Brookes
Hondius - Frost Fair 1684
A Frost Fair on the Thames at Temple Stairs (c. 1684) by Abraham Danielsz Hondius (Abraham de Hondt)
Caspar David Friedrich 002
The Abbey in the Oakwood by Caspar David Friedrich
  • Part 4 of 6 - continues with 
    • Ruskin's painting of waterfalls including "Le Cascade de la Folie, Chamonix" 
    • before moving on to the Impressionists' absorption with the colour of the snow effect "the illusive colour of the shadows in snow". The programme visits Vetheuil where Claude Monet lives when impoverished and where his wife became severely ill. It shows you the house he lived in when he had to choose between paint or medicine for his wife. 
    • It also include paintings of winter by the American Impressionist  painter Childe Hassam.  
    • Next it considers what is probably the first ever photograph of falling snow - "Winter, 5th Avenue" (1893) by Alfred Steiglitz and other photographs of "The Terminal", "The Flat Iron Building" and "The City of Ambitions"
  • Part 5 of 6 - focuses the contrast between rural and urban winters. Giovanni Segantini painted the Swiss mountains in all seasons including winter.  George Bellows, one of the Ashcan painters, paints the raw, bitter, cruel New York winter in The Lone Tenement and John Nash, a  Royal Academician and serving solider fighting in the Artist Rifles Batallion, paints the bitter winters of the First World War
Giovanni Segantini 002
Death (1898-99) by Giovanni Segantini (1858 – 1899)
George Bellows - The Lone Tenement (1909)
The Lone Tenement (1909) by George Bellows (1882 - 1925)

'over the Top'. 1st Artists' Rifles at Marcoing, 30th December 1917 Art.IWMART1656
Over the Top - 1st Artists' Rifles at Marcoing, 30th December 1917 by John Nash

I guess my only criticism of it is it presents a curiously Western European/American view of landscape painting in winter - and misses out the very significant contributions made by the Scandinavians, Eastern Europeans, Russians and Canadians.
Posted by Making A Mark at 18:20 0 comments
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Saturday, 1 February 2014

Landscape Pictures - Notes #1

"Landscape Pictures" is a new type of post for this blog. The aim is to have a periodic round-up about recommended blog posts and articles about landscape art - with an emphasis on those with decent images and places you can see landscape paintings. It will also allow me to highlight blog posts by artists just because I like the painting!

LANDSCAPE ART - ANNUAL REVIEWS


Prolific plein air painter Haidee-Jo Summers artist reviewed her plein air painting year and exhibitions in four posts which include lots and lots and LOTS of plein air landscape paintings
Michael Chesley Johnson (A Plein Air Painter's Blog)has a post which lacks visual interest but reflects on which of his blogs posts in 2013 have been of most interest to Plein Air Painters - see Top 10 Posts for A Plein Air Painter's Blog
Galley Hill Allotments in the snow by Haidee-Jo Summers 
Winner of The Best Picture (Landscape) 2013
In my Making A Mark Art Blog Awards - on Making A Mark
He regularly includes lots of very useful tips relating to plein air painting and painting generally - and very obviously thoroughly enjoys his plein air painting. This particular post A Plein Air Set Up For Watercolor  (posted last month) almost deserves an award all to itself! 
  • The 2013 winner of The Travels with a Sketchbook Trophy was Pete Scully (Pete Scully)
He draws the routine and the mundane in the area where he lives and the places he visits and makes most places look interesting. He opens my eyes and remind me again and again about how sketching starts with learning how to see.

LANDSCAPE ART COMPETITIONS

 

The 2013 Fleurieu Art Prize claims to be the world's richest landscape painting Prize (AU$60,000) and attracts both Australian and International Artists. Do you know different?  To see the list of 2013 finalists go to the Finalist Page.

Two competitions/exhibitions for landscape photographers:



LANDSCAPE ART HISTORY


America’s Forgotten Landscape Painter: Robert S. Duncanson is a blog post by the Smithsonianmag.com site.  Robert Seldon Duncanson is a 19th century African American artist I'd never heard of before who trained in painting in Glasgow, Scotland.  You can see more of his work on Wikimedia Commons.

Robert Duncanson - Land of the Lotos Eaters
Robert Duncanson - Land of the Lotus Eaters
Two paintings by Claude Monet of the cliffs at Etretat
One of the enduring motifs of landscape painting on the coast of Normandy are the famous chalk cliffs and stacks of Étretat. Charley Parker (Lines and Colors) has done a very interesting post which displays paintings by various different Painters of the cliffs of Étretat

The Standard Examiner has a fascinating piece - sadly with no images - about Top of Utah Voices: Landscape painting in the round.  However the word pictures are stunning!
Painters who utilized the art form and travelled with their depictions faced a daunting task of transporting these large works of sometimes dozens of paintings attached to each other and unrolled scene by scene. Some were advertised as being three miles long and taking over an hour to view. Usually 12 feet in height and rolled up on poles which, when unrolled by an assistant, gave the viewers a tour of the chosen scenes the painter portrayed while the artist (standing on a platform) described them.


LANDSCAPE PAINTING - EXHIBITIONS


Art In Liverpool's post 'Turner: Travels, Light and Landscape’ at the Lady Lever highlights an exhibition which runs from 14 February to 1 June 2014 at the Lady Lever Art Gallery in Port Sunlight Village, Lower Rd, Wirral CH62 5EQ.  Turner: Travels, Light and Landscape comprises some 30 watercolours, paintings and prints, drawn from the National Museums Liverpool’s own Turner collection.
Paintings such as 'Margate Harbour' (1837) and 'Linlithgow Palace' (about 1807), will be shown alongside prints and watercolours that are rarely displayed due to their light-sensitivity. This will include the watercolours 'Dudley' (about 1830-33), 'Off Dover' (between 1820-1827), 'Wells Cathedral' (1795-96) and 'View of the Mole' (about 1818).
New Turner exhibition at the Lady Lever Art Gallery in Port Sunlight - opens 14th February 2014

Recording Britain is a touring exhibition organised by the Victoria & Albert Museum, London. It can be seen in the Sir William Harpur Gallery at The Higgins in Bedford until March 20th 2014.
At the outbreak of the Second World War an ambitious scheme was set up to employ artists on the home front. The result was a collection of more than 1500 watercolours and drawings that make up a fascinating record of British lives and landscapes at a time of imminent change.
I've already bought the catalogue for the exhibition and it's absolutely fascinating.  I think this is one exhibition I'll definitely be going to see.  I'll be writing more about the project on this blog.

A National Art: Watercolour & the British Landscape Tradition can be viewed at the Wixamtree Gallery at The Higgins Bedford until Sunday 27th April 2014
The exhibition, drawn entirely from the Cecil Higgins Art Gallery collection of works on paper, explores the landscapes of the late 18th century and early 19th century watercolourists and how they influenced their 20th century counterparts. The work of Cotman, Girtin and Turner will be shown alongside that of Nash, Ravilious and Piper in a celebration of the British landscape and its ideal medium, watercolour. It is part of a season of exhibitions exploring the idea of landscape, which includes Recording Britain and Bawden's Britain.

This one takes some beating when it comes to exhibitions of landscape art. Culture 24 introduces The best art exhibitions to see in Wales in 2014 and starts with a new exhibition in Cardiff thus 

How about this for a new take on landscape painting? National Museum Cardiff’s Wales: A Visitation. Poetry, Romanticism and Myth in Art, (February 22 - September 7) takes the neo-Romantic work of David Jones, Graham Sutherland, Richard Long and contemporary abstract landscape painter Clare Woods and wraps it around an LSD-infused trip to Wales made by beat poet Allen Ginsberg in 1967.

PLEIN AIR PAINTING


Katherine van Schoonhoven (Art and Music) has an interesting review post of a trip to the coast of California when she painted the same place at different times of the day. The timescale panorama in learning from the plein air line up
is fascinating.

"View of Pescadero" Mexico, plein air, landscape painting by Robin Weiss on the In Plein Air blog is a great visual report of a landscape painting
Posted by makingamark2 at 15:41 0 comments
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Monday, 26 November 2012

Places to Paint: Agawa Canyon, (Algoma)

I'm very grateful to Jeff McColl for a comment he left on my post about Canada's Group of Seven at Algoma.  This alerted me to the fact that he's been putting an awful lot of effort into pulling together a portfolio of photographs on Google+ of the locations where the Group of Seven painted in the Agawa Canyon in Algoma.

Places to Paint: Agawa Canyon, Algoma, Canada
Some of Jeff McColl's portfolio of photographs matched to paintings by the Group of Seven
© Jeff McColl
Between 1918 and 1923 several members of the Canada's Group of Seven painted in the Algoma region including Lawren Harris, A. Y. Jackson, Frank Johnston, J. E. H. MacDonald, and Arthur Lismer. To gain access to this remote area they rented a boxcar from The Algoma Central Railway, which had been outfitted like a cabin and was shunted to sidings near choice painting locations. From these locations they set out on foot or canoe to capture this untamed area on canvas. Their paintings brought this vast, rugged, and beautiful part of the country to fellow Canadians and the world.Wikipedia - Agawa Canyon
Below are links to Jeff's photos and the paintings by G7 artists at various locations.  Do read his comments as to location as it's obvious that not all the original locations are now accessible due to changes in growth of vegetation or changes in the course of rivers made as a result of floods.  He also provides photographs of what the locations look like in winter.

The links in the name of the artist are to the biography of the artist on the National Gallery of Canada website.
You can also read an article by Jeff - Paddling/Hiking/Photographing in the footsteps of Legends by Jeff McColl - in the Spring Newsletter of the Group of Twelve - Fine Arts Society of Milton 
Mention the Group of Seven to any artist or photographer and there are instantly visions of great Canadian Landscapes. I have known for years that the Group of Seven had visited the Agawa Canyon and when asked to describe the area I have said it was like paddling into one of their paintings. I have also known that fellow canoeists Sue and Jim Waddington of Burlington have a hobby that include working with the McMicheal Gallery in finding locations where they painted. They have been very successful in finding locations in Georgian Bay, Killarney and Algonquin Prov. Parks. They know that I frequent the Agawa area every year and they asked me if I could identify a few areas
All photos are copyright Jeff McColl. You can see more of Jeff's wonderful photographs of the Canadian countryside on Panoramio
Seems to me that the logical extension of all this work by these canoeists is a book - complete with maps and details of how to get to these places to paint!

Group of Seven fans may also like:

Posted by Making A Mark at 10:33 4 comments
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Monday, 7 November 2011

Autumn Landscapes - Sheffield Park

This is my personal contribution to the posts on this blog about Autumn landscapes.  Last week we travelled to Sheffield Park which is the only National Trust place I know which increases its entrance charges for the Autumn Colour season!

Sheffield Park - 29th October 2011
pen and ink and coloured pencil, 11.5" x 16"
copyright Katherine Tyrrell

The garden was originally laid out around four lakes by Capability Brown and an arboretum of native and exotic trees was subsequently established.

It contains many fine specimens of trees (eg Black Tupelos) and a high proportion of these - particularly the acer/maples and beeches turn a very fine colour in Autumn.  Hence the high number of visitors who turn out to look at the colours of Autumn.

Certainly it's a very fine place to paint in Autumn - particularly given the reflections of the colours of the trees in the water of the lakes.  The photographers are also rather keen on it.  I think I saw more heavy duty expensive cameras with huge lenses on our visit than I've seen for a very long time.

Arboretums are certainly a great place to paint and draw landscapes in Autumn!
Posted by Making A Mark at 10:15 0 comments
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Tuesday, 25 October 2011

Landscape Photographer of the Year 2011

Scottish amateur photographer, Robert Fulton has won the title of Landscape Photographer of the Year 2011 for his stunning picture of a Winter Field in Snow.  The Cumbernauld-based photographer is the fifth person to win the overall title and the £10,000 prize.

Robert Fulton – Winter Field, Stirlingshire, Scotland

An exhibition of the winning and commended entries in the 2011 competition is to be held at the National Theatre in London.  It opens on 5th December 2011 and runs until 28th January 2012.  

A book has also been published - see Landscape Photographer of the Year Collection: 5 (Photography)

There were thousands of entries for the award - which encompasses different perspective on the landscape including urban landscapes as well as classic landscapes.  The competition also has a number of awards including one category for young photographers.

You can see a slideshow of the various photos which won awards or were highly commended on the Telegraph website

Photograph by Oscar Stewart-Packe
Landscape Photographer of the Year 2011 - Awards

Below are the names of those who won awards.  The place names relate to the location of the landscape in the image.
  • Landscape Photographer of the Year: Robert Fulton – Stirlingshire, Scotland.  Robert was 49 before he started taking photography seriously - although he'd always been interested in the visual arts.  He became a digital convert 11 years ago and is now a Scottish landscape photographer with an interest in Natural History.  He's very pleased to have won "the big one"!  The winning image is at the top of this post
  • Young Landscape Photographer of the Year:  14 year old Oscar Stewart-Packe – London.  His winning image is on the right.
Classic View:
We are looking for an image that captures the beauty and variety of the UK landscape. An iconic view; a view along a cliff-side path or of a historic village; a view down a valley; an urban skyline or snow-capped peaks; maybe showing the drama of our seasons. Recognisable and memorable; a true classic.
  • Winner Classic view:  Tim Harvey Guernsey, Channel Islands
  • Runner-up Classic view:  Angus Clyne River Tay, Scotland - this was the first photography competition Angus had ever entered
Living the View
This is a category for images of people interacting with the outdoors – working or playing in the UK landscape. Possible subjects include mountain bikers, kite boarders, walkers, shepherds or even your best friend biting into a sandwich - as long as your picture shows people within their outdoor environment.
Urban View
It’s hard to pin down an exact figure, but statistics suggest that up to 80% of the UK population lives in towns or cities. That’s a huge number, so we wanted a category that highlights the surroundings that many of us live in every day. It has always been possible to enter city skylines in Classic view and concepts in Your view (and you still can), but this category really focuses on the subject - from historic to modern - but no underground car parks, tube stations etc please – anything urban and outside is eligible. 
Your View
What does the UK landscape mean to you? A stream rushing over pebbles, a foggy day in the Peak District, fish & chips on a deserted beach, you and your friends on your first big summit. Pretty much anything goes, as long as it is in the UK and in the outdoors. Use your imagination, as you have the scope for a very conceptual and personal approach. 
Youth class (16 and under)

  • Winner Classic view - William Lee Lincolnshire
  • Winner Living the view -  Jessica Nineham Hampshire
  • Winner Urban view - Matt Woods Hampshire
  • Winner Your view - William Lee Lincolnshire
Posted by Making A Mark at 08:20 0 comments
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Wednesday, 6 April 2011

The Cityscape: modern perspectives on London

I normally stick pretty much to drawing and painting on this blog - however now and again I'm happy to include photography.  This post is about cityscapes and a recent competition run by the National Gallery in conjunction with Flickr to try and capture London in a photograph. 

The cityscape

A cityscape is a view - typically represented by a drawing, painting or photograph - of a city.  The cityscape is the urban equivalent of the landscape.  It's also known as the townscape although this tends to denote differences in the size and significance of the urban environment rather than the size and significance of the artwork.

There have been a number of artists particularly renowned for cityscape scenes.  They include Wenceslas Holler - who was renowned for his views of London - and Canaletto and the Italian verdute painters.  Canaletto of course visited London and lived her for a period of years and painted scenes up and down the Thames.

The Thames and the City of London from Richmond House (1747) - by Canaletto
We are probably most used to thinking of cityscapes as skylines and outlines - with the shape of the buildings characterising the nature of the city. 

Modern Perspectives on London
To coincide with the exhibitions Venice: Canaletto and His Rivals and Modern Perspectives, the National Gallery invited you to contribute your own modern perspective of a cityscape to the Modern Perspectives Flickr competition group – inspired by Ben Johnson, Clive Head and Canaletto.
You can see the Modern Perspectives competition winners here.

I contacted Bob Lambourne, one of the winners, who had produced a photo which both appealed to me and at the same time intrigued me.

Thames Sunrise by Bob Lambourne
(courtesy of Bob Lambourne)
This is a view I'm really familiar with.  I worked for three years in an office over looking the Thames just the other side of this bridge.  Every time I walk past - on the Thames Path on the South Bank of the Thames, I look at it and think about how to do it - and Bob has answered the question!  Now I know where I was going wrong - I keep walking past at and looking at the wrong time of day!

I contacted Bob for permission to use his photo on his blog and found a bit more about how he produced it.  Here's what he had to say
I had got up really early one Saturday morning to capture the light of dawn on the river, it must have been about 6.30 am when I took the picture using a Canon 5D with a 28mm lens. I haven't done much more other than a few tweaks to the curves and levels in photoshop. The picture was hand-held (I hate lugging tripods around with me, they make me feel so conspicuous.

In case you are interested the picture has also been selected to appear in "The Spirit of London" a commemorative book presented to every Olympic and Para-Olympic athlete at the London 2012 games by Mayor Boris Johnson.

I am not a professional photographer and work as a graphic designer in the marketing sector. I discovered my passion for the art back in the 80's when I took a 4 year photography course at night school in the days when the ILEA and GLC were still around. 

I guess the best quote on photography and the one that sums me up is:

"I take photographs with love, so I try to make them art objects. But I take them for myself first and foremost - that is important." Jaques Henri Lartigue
You can see the other photographs which were entered in the competition in the Flickr Group Pool.  For some, the notion that it was about London got a little bit lost in the translation!

You can also buy prints of this photo from Bob.  Try contacting him via his Flickr Account boberator or his website or

Links:
Posted by Making A Mark at 12:00 0 comments
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Friday, 17 December 2010

Landscape Photographer of the Year 2010

Landscape Photographer of the Year 2010:
Antony Spencer - Winter mist at Corfe Castle, Dorset, England
copyright Antony Spener - all rights reserved / used with permission

Winner of the Landscape Photographer of the Year 2010 Award - and a £10,000 prize - is Dorset’s Antony Spencer for his stunning view of Corfe Castle: Winter mist at Corfe Castle, Dorset, England.

The ‘Landscape Photographer of the Year’ Exhibition is currently on display at the National Theatre in London.
Here's some of the winners - and links to their websites
  • The Young Landscape Photographer of the Year award was won by Taliesin Coombes for a picture of a steam train taken from his local café in Cardiff.
  • The Network Rail ‘Lines in the Landscape’ award for the best image of Britain’s modern rail network. Chris Howe from Hertfordshire picked up the prize of a walking tour of the Forth Bridge
  • The Best Landscape on your Doorstep award sponsored by Natural England was won by Sławek Staszczuk for his intimate and striking image of the South Downs
The exhibition runs until the 16th January 2011 and admission is free.
  • Times: Open Monday to Saturday, 9.30am to 11pm, all year round (except for Bank Holidays) and on a number of Sundays from noon to 6pm (check NT website for dates).
     
  • Venue: Lyttelton Foyer, National Theatre, South Bank, London SE1 9PX 020 7452 3000
Notes:
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Saturday, 13 February 2010

Framing the West

Framing the West: The Survey Photographs of Timothy H. O'Sullivan is an exhibition which opened yesterday at the Smithsonian American Art Museum in Washington DC.
Timothy H. O'Sullivan (1840–1882) was a photographer for two of the most ambitious geographical surveys of the nineteenth century. He traversed the mountain and desert regions of the western United States under the command of Clarence King and Lt. George M. Wheeler for six seasons between 1867 and 1874. O'Sullivan developed a forthright and rigorous style in response to the landscapes of the American West, and returned to Washington, D.C. with hundreds of photographs that revealed an artist whose reach far surpassed the demands of practical documentation. He created a body of work that was without precedent in its visual and emotional complexity, while simultaneously meeting the needs of scientific investigation and western expansion.
This is O'Sullivan's biography on the Smithsonian website. He became an official civil war photographer at the age of 21. Subsequently he joined Clarence King's geological survey of the fortieth parallel—the first federal expedition in the West after the Civil War.

Interestingly King was very interested in the arts and I speculate that it well be this influence which helped O'Sullivan create photographs which were artistic as well as scientifically useful.

Ancient Ruins in the Cañon de Chelle, N.M.
(No. 11, Geographical Explorations and Surveys West of the 100th Meridian) 1873
Timothy H. O'Sullivan(1840- 1882 )
albumen print on paper mounted on paperboardimage and sheet: 10 3/4 x 7 7/8 in. (27.3 x 20.0 cm.)
Smithsonian American Art Museum

I'm very much minded to let this blog cover landscape photography as well as drawing and painting - in part to highlight what photography does well - as well as what drawing and painting do well.
Posted by Making A Mark at 09:00 1 comments
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