Landscapes of California and America - a catalogue

For those who enjoy the paintings of the Californian and American landscape art, you can review many landscapes of the 19th and early 20th century by various artists - including Edgar Payne (1883-1947) - in this auction catalogue by John Moran Auctioneers.  

The painting is by Percy Gray

"A Lane Of Eucalyptus Trees," 1924

20 x 14" Watercolor on paper board under plexiglass

The Digital Catalogue can be found on issuu. It can even be downloaded!

Highlights include works by Edgar Alwin Payne, Percy Gray, Jack Wilkinson Smith, Ben Abril, Millard Sheets, Jessie Arms Botke, William J. McCloskey, and many more

The auction was held on Tuesday - so you can even find out what sold and for how much.

It's a good guide to what people like - and what they're prepared to pay for a landscape (or other fine art) or an investment.

I liked in particular the paintings by LeConte Stewart (1891 - 1990) and Percy Gray (1869-1952) - who are names new to me. One of Gray's paintings is on the cover of the catalogue.

It was also wonderful to see paintings of some of the places I've seen in person on my travels in the USA in 2006.

Stanley Spencer: Visionary Painter of the Natural World

Stanley Spencer was a rather good landscape artist.

'Cliveden Woods' by Spencer, familiar #Cookham scene in our current exhibition. @VisitThamesCoUk @AlongTheThames pic.twitter.com/aTX4R0vEoH

— The Spencer Gallery (@SpencerCookham) 8 May 2016

I must get to the Stanley Spencer Gallery at Cookham. Here's the description of the current exhibition

Stanley Spencer: Visionary Painter of the Natural World
24th March to 31st October 2016

Glorious depictions of the natural world, exploring Spencer's consummate skill in a series of exquisitely executed flower paintings, garden vistas and landscapes. Figurative and spiritual scenes amongst these wonderful paintings movingly remind us of the visionary element pervading all of Spencer's work.

Forest, Field & Sky: Art out of Nature

Tomorrow the BBC will broadcast a programme about Forest, Field & Sky: Art out of Nature on BBC4 at 9pm.

It's about artists interact with the landscape to create and make artworks.

Dr James Fox takes a journey through six different landscapes across Britain, meeting artists whose work explores our relationship to the natural world.

From Andy Goldsworthy's beautiful stone sculptures to James Turrell's extraordinary sky spaces, this is a film about art made out of nature itself.

Featuring spectacular images of landscape and art, James travels from the furthest reaches of the Scottish coast and the farmlands of Cumbria to woods of north Wales.

In each location he marvels at how artists' interactions with the landscape have created a very different kind of modern art - and make us look again at the world around us.

There are two clips which you can view to see if this is the type of art which appeals to you. It certainly appeals to me!

They are James Turrell's Skyspace at the Yorkshire Sculpture Park

Excerpt - Sky Space by James Turrell at the Yorkshire Sculpture Park

and David Nash's Ash Dome - which exists at a secret location! This 'living sculpture' of a perfect circle and dome made from 22 ash trees was planted as saplings in 1977. Over the last 40 years it has matured to create a dome centred on an otherwise empty plot in woodland "somewhere" in Snowdonia in North Wales. (David Nash lives in Blaenau Ffestiniog)

Cornell University have come up with instructions for how you can sculpt trees to make your own living dome

This is a link to an interview Real Living Art: A Conversation with David Nash by John Grande

Where can I see art in the countryside?

In addition, an interactive map has been created showing you places where you can see art.

Wildcard entries - Sky Arts Landscape Artist of the Year 2015

You too can be a Wild Card entry to the new Sky Arts Landscape Artist of the Year competition! Each of the heats are going to have places for 50 Wild Card entries.

All you have to do is:

• enter a heat as a Wild Card
• bring your own easel, canvas and materials
• come to one of the heats at National Trust properties around the country
• paint one of the landscapes in front of the judges

It's first come, first served - click on one of the below links to enter as a Wild Card for your preferred Heat:

• Heat 1: Waddesdon Manor, Bucks: Saturday 25th April
• Heat 2: ​Waddesdon Manor, Bucks: Sunday 26th April
• Heat 3: Trelissick Garden, Cornwall: Sunday 3rd May
• Heat 4: ​Trelissick Garden, Cornwall: Monday 4th May
• Heat 5: ​Lyme Park, Cheshire: Wednesday 27th May
• Heat 6: Lyme Park, Cheshire: Thursday 28th May

You never know - you might impress the judges and win the opportunity to go through to the semi-final!

If you did you could win the prize of a £10,000 commission for the National Trust's permanent collection and become Sky Art Landscape Artist of the Year 2015.

The Wild Card is open to artists who previously applied and were unsuccessful as well as artists who didn't apply.

For full terms and conditions and to apply to become a Wild Card, pick your heat and enter via www.sky.com/tv/show/landscape/article/wild-card

Art Competition: £10,000 prize for Landscape Artists

Read my blog post about the Call for Entries for the Sky Arts Landscape Artist of the Year 2015 If you're interested in:

• winning a £10,000 landscape art commission from the National Trust
• participating in an art competition which has a number of knockout rounds prior to the final; and
• creating landscape art on television - while Sky Arts film you for a television programme about their brand new competition to find the Sky Arts Landscape Artist of the Year 2015!

Image for the Landscape Artist of the Year 2015 competition on Sky Arts

In summary you need to:

• be aged 16+
• resident in the UK, Republic of Ireland, Isle of Man or Channel Islands for one year or longer on 2nd February 2015
• be a competent landscape artist in any of the following media Watercolour, Oil Paints, Pencil, Charcoal, Pastel, Acrylic, Alkyds, Mixed Media (including collage) and "Other". Note sculpture or any form of digital media is NOT allowed
• complete and submit and online application form by 12pm (midday) on Friday 20th March 2015 together with images of landscape art completed in the last five years
• not mind being filmed for television while you paint!

BBC4 Tales of Winter: The Art of Snow and Ice

Tonight, BBC4 is repeating an excellent programme Tales of Winter: The Art of Snow and Ice which explores how the onset of winter has been depicted by Western painters across the centuries. The programme will be available on BBC iPlayer shortly after it is broadcast at 7.30-9.00pm.

If  you don't live in the UK and would still like to see it, I suggest you take a peek at YouTube and view the same programme in six films of 10 minutes.

The programme comprises several commentators, many of whom are wrapped up warmly and clutching reproductions of the paintings as they revisit places the artist knew and review how similar the painting is to what's there today. I'm a complete sucker for programmes like this and I'll definitely be watching!

Tales of Winter - The Art of Snow and Ice

• Part 1 of 6 covering the very cold winters in the 16th century - including Brueghel's painting of Hunters in the Snow - the first ever painting of a landscape under snow - with comments by Grayson Perry and Jonathan Jones and a cartoon based on it by Peter Brookes

A Frost Fair on the Thames at Temple Stairs (c. 1684) by Abraham Danielsz Hondius (Abraham de Hondt)

• Part 2 of 6 - this features paintings of London and the Thames during the Little Ice Age
• Part 3 of 6 - covers Jacques-Louis David's paintings of Napoleon's campaign in the Alps and The Abbey in the Oakwood by Caspar David Friedrich and the impact of winter in the Alps on John Ruskin - and his paintings of the glaciers 

The Abbey in the Oakwood by Caspar David Friedrich

• Part 4 of 6 - continues with 
• Ruskin's painting of waterfalls including "Le Cascade de la Folie, Chamonix" 
• before moving on to the Impressionists' absorption with the colour of the snow effect "the illusive colour of the shadows in snow". The programme visits Vetheuil where Claude Monet lives when impoverished and where his wife became severely ill. It shows you the house he lived in when he had to choose between paint or medicine for his wife. 
• It also include paintings of winter by the American Impressionist  painter Childe Hassam.  
• Next it considers what is probably the first ever photograph of falling snow - "Winter, 5th Avenue" (1893) by Alfred Steiglitz and other photographs of "The Terminal", "The Flat Iron Building" and "The City of Ambitions"
• Part 5 of 6 - focuses the contrast between rural and urban winters. Giovanni Segantini painted the Swiss mountains in all seasons including winter.  George Bellows, one of the Ashcan painters, paints the raw, bitter, cruel New York winter in The Lone Tenement and John Nash, a  Royal Academician and serving solider fighting in the Artist Rifles Batallion, paints the bitter winters of the First World War

Death (1898-99) by Giovanni Segantini (1858 – 1899)

The Lone Tenement (1909) by George Bellows (1882 - 1925)

Over the Top - 1st Artists' Rifles at Marcoing, 30th December 1917 by John Nash

• Part 6 of 6 looks at the work of Nevinson and highlights the pla ing of a football game in winter and a wonderful photograph of Stonehenge under snow by Bill Brandt while Don McCullin comments on what's involved in photography in winter.

I guess my only criticism of it is it presents a curiously Western European/American view of landscape painting in winter - and misses out the very significant contributions made by the Scandinavians, Eastern Europeans, Russians and Canadians.

The view from Richmond Hill

One of the most famous views in the history of landscape painting is "The View from Richmond Hill". In the last it was liked so much that it's now the only view in the UK which is specifically protected by an Act of Parliament.

I've created a small website about it - The View from Richmond Hill - for those who want to know exactly where it is and what the view looks like - and some more about the artists associated with painting the view from the hill e.g.

• Sir Joshua Reynolds whose home (Wick House on Richmond Hill) has this view, or 
• JMW Turner who painted it several time or 
• Jasper Francis Cropsey, the American landscape painter (Hudson River School) whose painting of the View of Richmond Hill recently sold at Bonhams in New York. Cropsey later produced a massive painting of the same view - some eight feet wide - based on this study (and presumably others he made at the same time).  This study is principally focused on the features of the landscape and doesn't have the figures seen in the later painting.

View of Richmond Hill - Jasper Francis Cropsey (1823-1900)
previously exhibited as Study for Richmond Hill in the Summer of 1862
oil on canvas 12 1/2 x 20 1/2in
sold 21st May 2014 for $50,000 at Bonhams

Back in 2010 I visited to see what all the fuss was about. Like many such views I've visited in the past - the trees have grown!

I found it very tricky to get a place where you got a decent view of the bend in the river without running into other problems - like trees obscuring the view.

This is my "failed" photographic view. It's a classic one - with the horizon bisecting the image! You can at least see the river and the fact it has a curve and an island and some boats on it - plus some water meadows next to it!

The view from Richmond Hill - in 2010

This local photographer has had a go at showing us what is the magic of this place in this video

I'm thinking maybe a visit in winter when there are no leaves might prove more fruitful - although it would appear this brings different challenges

Peder Balke and Norwegian landscapes at the National Gallery

On the 12th November, a new exhibition of 50 paintings by the 19th century Norwegian artist Peder Balke (1804 - 1887) will open in the Sunley Room of the National Gallery in London. Admission is free and the exhibition will continue until 12th April 2015. Most of the paintings have never been seen before in the UK.

This exhibition continues a theme of exhibitions of landscapes by Scandinavian artists in recent times. Previous ones have included

• Forests, Rocks, Torrents Norwegian and Swiss Landscapes from the Lunde Collection 22 June – 18 September 2011 which included paintings by Peder Balke - see my post "Forests, Rocks, Torrents" at the National Gallery, London 07 Aug 2011
• Christen Købke: Danish Master of Light 17 March – 13 June 2010 - see my review Two landscape exhibitions in London and Christen Købke

This exhibition has been organised by the Northern Norway Art Museum, Tromsø, in collaboration with the National Gallery, London.  The paintings on display include ones from private and public collections across Europe that represent every facet of the artist’s career.

Peder Balke, The Mountain Range ‘Trolltindene’  c.1845
Collection of Asbjørn Lunde, New York
© Photo courtesy of the owner

There's a video on YouTube of his paintings with some rather marvellous music

Fine Canadian Landscape Art - Auction and Previews

There's an auction of "Fine Canadian Art" being held in Toronto, Canada by Heffel Fine Art Auction House on 27th November 2014. The majority of the works in the catalogue are landscapes.

Heffel Fine Canadian Art Catalogue Cover
The Trapper's Return by Clarence Gagnon

oil on canvas, circa 1909 ~ 1913

signed and on verso signed and titled and titled

21 x 28 3/4 in, 53.3 x 73 cm

$500,000 ~ $700,000 CAD

View the catalogue

You can the works in the auction as follows:

• view the Live Auction Catalogue on the Heffel website - this includes the details of the works and what each is expected to fetch
• by downloading the catalogue from the Heffel website. This includes detailed notes about artists and paintings
• on Issuu - which has the complete catalogue (free) - and provides this widget which allows you to click to read

The Artists

Artists who are new to me who impressed 

These included:

David Brown Milne in 1909

• David Brown Milne (1882-1953) - I liked his watercolours. You can see more of his work on Wikimedia - these include some very fine paintings of the First World War eg Montreal Crater, Vimy Ridge and there is more information on the National Gallery of Canada website
• Clarence Alphonse Gagnon (1881 - 1942) - whose painting is on the cover of the catalogue. A woodcut of the same scene is also included in the sale together with a number of other paintings. He was apparently renowned as a painter of the Canadian winter - with snow being pink in the morning and blue at the end of the day. His landscapes were more 'dreamed about' than painted on the spot - with some being completed in his studio in Paris.  Paysage de Charlvoix is simply stunning!

He invented a new type of landscape - a winter world composed of valleys and mountains, of sharp contrasts of light and shadow, of vivid colours, and of sinuous lines. He ground his own paints, and from 1916 his palette consisted of pure white, reds, blues and yellows.   

National Gallery of Canada profile

• Alfred Joseph (AJ) Casson (1989 - 1992) was a m,ember of the Group of Seven and has a delightful watercolour of birch trees in the auction.

Artists familiar to me

• Lawren Stewart Harris - I was surprised to find out that Harris is Canada's top artist in terms of auction sales. I'd never before seen any of Harris's urban landscapes - his painting of Houses on Gerrard Street is very fine and is on the back cover of the catalogue

Back cover of catalogue: Gerrard Street Houses by Lawren Harris(Estimate $350,000-400,000)

Harris’s depictions of Toronto streets are like portraits. Sometimes poignant, sometimes regal, sometimes sad, each of his buildings can be seen as a sitter whose character, carriage and personality are depicted with exacting skill under Harris’s brush Catalogue

• One of my favourite painters Franklin Carmichael (1890 - 1945) - who has one work in the show. Carmichael's paintings included in the show at the Dulwich Picture Gallery really impressed me - see my blog post about Painting Canada: Tom Thomson and the Group of Seven - Review

Information about the auction

The evening auction is being held at the Park Hyatt Hotel, Queen’s Park Ballroom, 4 Avenue Road, Toronto. 

Works can be seen in previews as follows

• Preview At Heffel Gallery, Vancouver: 2247 Granville Street Saturday, November 1 Through Tuesday, November 4, 11 Am To 6 pm
• Preview At Galerie Heffel, Montreal: 1840 Rue Sherbrooke Ouest Thursday, November 13 Through Saturday, November 15, 11 Am To 6 pm
• Preview At University Of Toronto Art Centre 15 King’s College Circle Entrance Off Hart House Circle Saturday, November 22 Through Wednesday, November 26, 10 Am To pm Thursday, November 27, 10 Am To 12 pm
• Heffel Gallery, Toronto 13 Hazelton Avenue, Toronto Ontario, Canada M5r 2e1 Telephone 416 961~6505, www.Heffel.Com

The Peak Prints Project

Images from the Peak Prints Collection

The Peak Prints Project highlights both the art of the wood engraver and the place known as the Peak District.

This area of Middle England is highly suitable for the art because of its plethora of woods and stones, crags and deep river gorges, ancient carved stones and picturesque farms, fields and barns. But hardly any wood engravings of these subjects have been done!

The project has been sponsored by Nicholas and Ruth Pitts-Tucker. The aim was to ‘encourage wood engravers to engage with the Peak District, and local people to engage with this art form.’

They invited 12 leading wood engravers to stay through the course of the year over a number of long weekends. As a result 40 engravings have now been produced which are being sold in editions of 25.

The prints are now being displayed in exhibitions at different locations within the Peak District.

You can also buy prints via the website where you can see which prints are for sale and you can order them. Click on an image to see the individual image a bigger version of the image which he or she has created

Artists

The participating artists are:

• Harry Brockway
• Chris Daunt
• Andy English
• Paul Kershaw
• Kathleen Lindsley
• Miriam McGregor
• Hilary Paynter past President of the Society of Wood Engravers
• Howard Phipps
• Sue Scullard - this is a video of Sue Scullard showing how a wood engraving is produced
• Peter S Phipps
• Sarah Van Niekerk
• Geri Waddington

I'm the owner of prints by both Hilary Paynter and Sue Scullard and can speak very highly of the quality of their work

Exhibitions

You can see The Peak Prints at the following exhibitions in and around the Peak District.

25th July – 7th August 2014Beechenhill Farm
Ilam
Ashbourne
Derbyshire DE6 2BD UK
Telephone 01335 310274
Email stay@beechenhill.co.uk
Website www.beechenhill.co.uk

15th August 2014 – 28th August 2014
Longshaw
near Sheffield
Derbyshire S11 7TS
Telephone 01433 637904
Email peakdistrict@nationaltrust.org.uk
Website www.nationaltrust.org.uk/longshaw

6th September 2014 – 20th September 2014
Wirksworth Festival
Wirksworth
Matlock
Derbyshire DE4 4FG
Telephone 01629 824003
Email info@wirksworthfestival.co.uk
Website www.wirksworthfestival.co.uk

4th October 2014 – 19th October 2014
Derwent Gallery
Main Road
Grindleford
Hope Valley
Derbyshire S32 2JN
Telephone 01433 630458
Email robin.ashmore@btconnect.com
Website www.derwentgallery.com
Open Wednesday – Saturday 10.00am – 5.00pm
Sunday and Bank Holidays 10.00am – 4.00pm

19th October 2014 – 25th October 2014
George Inn Barn
Altonsfield
Derbyshire

Susan Abbott - sketching and painting plein air

I caught up with this post The Travel Bug by Susan Abbott on her Painting Notes blog.

You can see her recent watercolour sketches of Paris on her blog A Painting Year and on her website (see below) - plus her plein air oil paintings. What I really like about her watercolour sketches and paintings is how she has a very consistent and recognisable colour palette and the way in which she keeps all her colours fresh and never muddy!

Plein Air Watercolours by Susan Abbott

For those planning plein air painting this summer check out her blog posts about painting plein air which she wrote last summer:

• Plein Air 101 - provides a number of tips for effective working plein air
• Plein Air 102 - covers her kit for watercolour and oil painting plein air

American Paradise: The World of the Hudson River School

Cover of the exhibition catalogue re. American Paradise: The World of the Hudson River School

American Paradise: The World of the Hudson River School

You can download this catalogue of the exhibition American Paradise: The World of the Hudson River School at the Metropolitan Museum of Art. The exhibition was held between 4th October 1987 and 3rd January 1999.

The reproduction qualities of the pdf copy available for download on the Metropolitan Museum of Art website is very good.

You won't find it by including the title in the websites' search facilty. Instead you need to know to go to their MetPublications website

The title is out of print hence why the Met is making it available online.  You can also:

• Read online
• Print on Demand (although you might want to think twice about this given that the book is 348 pages!)

About the exhibition

Prior to 1987, the Metropolitan Museum of Art has focused on individual artists when mounting major retrospectives and had highlighted prominent American artists in doing so.

This exhibition was the first time a major retrospective had been undertaken of an important school of art unique to the USA. The book and the exhibition represented a summary of the (then) current scholarship relating to the Hudson River School.

The exhibition - and the catalogue - brought together some of the finest and most historically important of the paintings associated with the School.  It also provided a survey of the work of the various artists involved with the School.

Prior to this exhibition, there had been three initiatives by museums in the USA to highlight the art, scope and role of the Hudson River School

• 1917 - the Museum had held a much smaller exhibition - Paintings of the Hudson River School;
• 1945 - the Art Institute of Chicago mounted the The Hudson River School and the Early American Landscape Tradition exhibition
• 1949 - The Museum of Fine Arts in Boston published a book about M. and M. Karolik Collection of American Paintings, 1815–1865 

The Hudson River School

The Hudson River School was America's first true artistic fraternity. Its name was coined to identify a group of New York City-based landscape painters that emerged about 1850 under the influence of the English émigré Thomas Cole (1801–1848) and flourished until about the time of the Centennial.

This is the webpage for the Hudson River School in the Heilbrunn Timeline of Art History on the Met's website

Pete "The Street" Brown paints plein air

This is a video of a very hard-working plein air artist - Peter Brown NEAC ROI RSPP PS aka "Pete the Street".  You can see his artwork in the Annual Exhibitions of various national art societies at the Mall Galleries including:

• New English Art Club
• Pastel Society
• Royal Institute of Oil Painters
• Royal Society of Portrait Painters

He's based in Bath and can often be seen painting on the streets of Bath.  To my mind he paints with what I'd call a "very English palette" - lots of muted coloured greys.

There's an article about him in the February 2014 edition of Artists & Illustrators Magazine - available in print and digital versions.

Click the link in his name to visit his website.

Landscape Pictures - Notes #1

"Landscape Pictures" is a new type of post for this blog. The aim is to have a periodic round-up about recommended blog posts and articles about landscape art - with an emphasis on those with decent images and places you can see landscape paintings. It will also allow me to highlight blog posts by artists just because I like the painting!

LANDSCAPE ART - ANNUAL REVIEWS

Prolific plein air painter Haidee-Jo Summers artist reviewed her plein air painting year and exhibitions in four posts which include lots and lots and LOTS of plein air landscape paintings

• My 2013 year review January to March 
• My 2013 year review - April to June
• My 2013 year review - July to September
• My 2013 review - October to December

Michael Chesley Johnson (A Plein Air Painter's Blog)has a post which lacks visual interest but reflects on which of his blogs posts in 2013 have been of most interest to Plein Air Painters - see Top 10 Posts for A Plein Air Painter's Blog

Galley Hill Allotments in the snow by Haidee-Jo Summers 
Winner of The Best Picture (Landscape) 2013

In my Making A Mark Art Blog Awards - on Making A Mark

• The Best Picture (Landscape) in 2013: readers voted was  Galley Hill Allotments in the Snow by Haidee-Jo Summers | Haidee-Jo Summers artist
• The 2013 winner of The Painting Plein Air Plus Prize was M.E. (Mike) Bailey (ME Bailey Art) 

He regularly includes lots of very useful tips relating to plein air painting and painting generally - and very obviously thoroughly enjoys his plein air painting. This particular post A Plein Air Set Up For Watercolor  (posted last month) almost deserves an award all to itself! 

• The 2013 winner of The Travels with a Sketchbook Trophy was Pete Scully (Pete Scully)

He draws the routine and the mundane in the area where he lives and the places he visits and makes most places look interesting. He opens my eyes and remind me again and again about how sketching starts with learning how to see.

LANDSCAPE ART COMPETITIONS

 

The 2013 Fleurieu Art Prize claims to be the world's richest landscape painting Prize (AU$60,000) and attracts both Australian and International Artists. Do you know different?  To see the list of 2013 finalists go to the Finalist Page.

Two competitions/exhibitions for landscape photographers:

• The exhibition for the Landscape Photographer of the Year 2013 is at the National Theatre on the South Bank until 8th February
• U.S.A. Landscape Photographer of the Year If you've taken any great landscape photographs of the USA you may well be interested in a new competition. Find out more at: http://www.usalandscapephotographeroftheyear.com/. I'll be covering this in more detail in a subsequent post.

LANDSCAPE ART HISTORY

America’s Forgotten Landscape Painter: Robert S. Duncanson is a blog post by the Smithsonianmag.com site.  Robert Seldon Duncanson is a 19th century African American artist I'd never heard of before who trained in painting in Glasgow, Scotland.  You can see more of his work on Wikimedia Commons.

Robert Duncanson - Land of the Lotus Eaters

Two paintings by Claude Monet of the cliffs at Etretat

One of the enduring motifs of landscape painting on the coast of Normandy are the famous chalk cliffs and stacks of Étretat. Charley Parker (Lines and Colors) has done a very interesting post which displays paintings by various different Painters of the cliffs of Étretat

The Standard Examiner has a fascinating piece - sadly with no images - about Top of Utah Voices: Landscape painting in the round.  However the word pictures are stunning!

Painters who utilized the art form and travelled with their depictions faced a daunting task of transporting these large works of sometimes dozens of paintings attached to each other and unrolled scene by scene. Some were advertised as being three miles long and taking over an hour to view. Usually 12 feet in height and rolled up on poles which, when unrolled by an assistant, gave the viewers a tour of the chosen scenes the painter portrayed while the artist (standing on a platform) described them.

LANDSCAPE PAINTING - EXHIBITIONS

Art In Liverpool's post 'Turner: Travels, Light and Landscape’ at the Lady Lever highlights an exhibition which runs from 14 February to 1 June 2014 at the Lady Lever Art Gallery in Port Sunlight Village, Lower Rd, Wirral CH62 5EQ.  Turner: Travels, Light and Landscape comprises some 30 watercolours, paintings and prints, drawn from the National Museums Liverpool’s own Turner collection.

Paintings such as 'Margate Harbour' (1837) and 'Linlithgow Palace' (about 1807), will be shown alongside prints and watercolours that are rarely displayed due to their light-sensitivity. This will include the watercolours 'Dudley' (about 1830-33), 'Off Dover' (between 1820-1827), 'Wells Cathedral' (1795-96) and 'View of the Mole' (about 1818).

New Turner exhibition at the Lady Lever Art Gallery in Port Sunlight - opens 14th February 2014

Recording Britain is a touring exhibition organised by the Victoria & Albert Museum, London. It can be seen in the Sir William Harpur Gallery at The Higgins in Bedford until March 20th 2014.

At the outbreak of the Second World War an ambitious scheme was set up to employ artists on the home front. The result was a collection of more than 1500 watercolours and drawings that make up a fascinating record of British lives and landscapes at a time of imminent change.

I've already bought the catalogue for the exhibition and it's absolutely fascinating.  I think this is one exhibition I'll definitely be going to see.  I'll be writing more about the project on this blog.

A National Art: Watercolour & the British Landscape Tradition can be viewed at the Wixamtree Gallery at The Higgins Bedford until Sunday 27th April 2014

The exhibition, drawn entirely from the Cecil Higgins Art Gallery collection of works on paper, explores the landscapes of the late 18th century and early 19th century watercolourists and how they influenced their 20th century counterparts. The work of Cotman, Girtin and Turner will be shown alongside that of Nash, Ravilious and Piper in a celebration of the British landscape and its ideal medium, watercolour. It is part of a season of exhibitions exploring the idea of landscape, which includes Recording Britain and Bawden's Britain.

This one takes some beating when it comes to exhibitions of landscape art. Culture 24 introduces The best art exhibitions to see in Wales in 2014 and starts with a new exhibition in Cardiff thus 

How about this for a new take on landscape painting? National Museum Cardiff’s Wales: A Visitation. Poetry, Romanticism and Myth in Art, (February 22 - September 7) takes the neo-Romantic work of David Jones, Graham Sutherland, Richard Long and contemporary abstract landscape painter Clare Woods and wraps it around an LSD-infused trip to Wales made by beat poet Allen Ginsberg in 1967.

PLEIN AIR PAINTING

Katherine van Schoonhoven (Art and Music) has an interesting review post of a trip to the coast of California when she painted the same place at different times of the day. The timescale panorama in learning from the plein air line up
is fascinating.

"View of Pescadero" Mexico, plein air, landscape painting by Robin Weiss on the In Plein Air blog is a great visual report of a landscape painting

Tate Pictures: Winter Solstice

Click the frame icon above the small thumbnails
to see the paintings in large slideshow

Tate has put up a themed collection of artwork on its website relating to the theme of Winter Solstice

It includes a number of landscapes and streetscapes of places in winter and by artists of different eras and styles.

Click the box icon to see the slideshow version which is excellent.

The paintings are:

• The Boulevard de Clichy under Snow 1876 by Norbert Goeneutte View the main page for this artwork
• Ivy Cottage, Coldharbour: Sun and Snow 1916 by Lucien Pissarro View the main page for this artwork
• Circuit Railway at Grenelle 1922 by Antoine Villard View the main page for this artwork
• Stockholm in Winter 1928 by Stephen Bone View the main page for this artwork
• Winter Solstice 1970 by Dame Barbara Hepworth View the main page for this artwork
• Harbour in Snow, La Rochelle 1938 by Sir William Nicholson View the main page for this artwork
• Claverton Street: Snow in Pimlico 1939 by Charles Ginner View the main page for this artwork
• Snow Scene 1946 by Ruskin SpearView the main page for this artwork
• -12 1956 by Alfred Manessier View the main page for this artwork
• DECEMBER Sheep Coming In 1976-7 by Peter Brook View the main page for this artwork
• Snow Night 1974 by Philip Greenwood - View the main page for this artwork
• Ski Hill 1997 by Peter Doig View the main page for this artwork
• Winter (trial proof) 1972 by David Leverett View the main page for this artwork

Paintings of Australian land and landscape at the RA

You can read my review of the new exhibition 'Australia' at the Royal Academy of Arts here - Making A Mark: 'Australia' Exhibition at the Royal Academy - review.

It includes paintings from 1800 through to this year's winner of the Wynne Prize.

Left - Australian Impressionists
Right - Federation Landscapes - in watercolour
'Australia' at the Royal Academy - 21 September 2013 to 8 December 2013
Exhibition organised by the Royal Academy of Arts, London in partnership with the National Gallery of Australia

Given the narrative covering the last 200+ years, I'm aiming to revisit specific aspects of the exhibition on this blog.

Angela J Simpson's plein air painting kit

Angela J Simpson's Plein Air Painting Kit

Angela J Simpson is an artist, illustrator and landscape architect who works from her home in in the Scottish Highlands. Recently she has been challenging herself to produce a daily pochade which she then posts on her "diary without words".

Last month she wrote a post on her blog about My kit for painting outside in which she explains what she takes and why.

I love her additional photo of her thumb box and explanation - very funny!

The Corn Harvest by Pieter Bruegel the Elder

Corn is harvested in August - however what's in the landscape painting of a corn harvest varies according to where the artist painted (see explanation at the end).  In Europe corn means grain.

 Die Kornernte  (1564) by Pieter Breugel the Elder (1526 - 1569)
(a.k.a. The Harvesters / The corn harvest / The grain harvest)
Oil on wood,
Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm);
original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)
Location: Metropolitan Museum of Art

Paintings of the Corn Harvest in August

The most famous  painting of a corn harvest is that shown at the top of this post.

What do we know about 'The Corn Harvest'?

• This painting was painting by  Pieter Bruegel the Elder in 1564, when he was nearly 40 years old - some 4 years before he died in 1569.
• It's one panel in a famous series of six paintings by Bruegel called "The Months". These paintings each different times of the year. This is the fourth panel in the series and represents late summer (July/August).  See also other paintings in the series which have featured on this blog.:
• Winter Landscape: Hunters in the snow by Pieter Bruegel the Elder
• Breugal "The Return of the Herd" (Autumn Landscape #12)
• The "Months" series were commissioned by Niclaes Jongelinck and were used as a frieze for a room in his home.  Jongelinck was a merchant, tax collector and art collector who lived in Antwerp
• The painting is a view of "what is" in terms of real life.  There's no sense of a need for a religious story or pretext for painting the landscape.  The emphasis is on realism rather than the religious. This is the case with all the paintings in the series - which is why Bruegel's landscape paintings are said to represent a watershed in the history of Western Art.   
• The landscape is a dominant theme within the painting - but it's animated by the people who populate the picture plane.  The painting focuses on the harvest - the harvesters are in the foreground, their community, their church and nature in general are in the background.  The workers in the field are depicted in a naturalistic way - they are shown working, exhausted, lying or sitting, eating or sleeping.  As with all other paintings in this series there is a dominant colour - in this instance it's the yellow of the grain crop being harvested.  
• This painting now resides in the Metorpolitan Museum of Art in New York (Other paintings in the Months series are located in the Kunsthistorisches Museum, Vienna, and Lobkowicz Collection, Prague)

The meaning of corn

"Corn" means different things in different countries.

• In the USA the term refers to maize (i.e. sweet corn)
• however in Europe, the older use of the word "corn" relates to grain and cereal crops - such wheat, oats and barley (ie maize is called maize and corn on the cob is called corn on the cob!).  That's because Europeans didn't have a name for the maize crop when they first encountered it in the New World.  So it acquired the generic name for all grain crops!

Here's the definition of corn from Cambridge Dictionaries online

B1 [U] UK (the seeds of) plants, such as wheat, maize, oats, and barley, that can be used to produce flour:a sheaf of corngrains of corn› [U] US the seeds of the maize plant, or the plant itself

'July' by Pol Limbourg (Summer Landscape #1)

I'm returning to the representation of the seasons and months of the year in paintings of landscapes.  In part, I do this because I very much enjoy records of the land at different times of the year but also as encouragement to landscape painters to create more paintings recording the land in specific seasons and months.

This is Juillet (July) in the body of work known as Les Très Riches Heures du Duc de Berry created by the flemish painters, the Limbourg Brothers working for John, Duc de Berry (1340-1416) the third son of King John II of France. It's been identified as the work of Paul (or Pol) Limbourg.

Très Riches Heures du duc de Berry Folio 7, verso: July
illumination on vellum
Height: 22.5 cm (8.9 in). Width: 13.6 cm (5.4 in)
Musée Condé, Chantilly, France

This particular painting is painted as a miniature illumination on vellum (note the size) and was created sometime between between 1412 and 1416.

 It shows sheep being sheered - using big sheep shears - and grain being harvested using a sickle.  The sky is of course blue and the clouds are high and sparse as one often gets in mid summer.  A translation of a description in French (now updated as per Alyson's comment) reads as follows

"The labours of the month of July show the harvest and shearing of sheep. Two characters mow the wheat, each using a volant and a stick. A volant is a long, open sickle with the handle at the corner of the flat of the blade. With the help of the stick, they separate a bunch of wheat stems which they then cut with a pass of the blade. The harvesters advance by going around the outside of the parcel of land, working towards the centre. One of the harvesters has a whetstone on his belt. Two other characters, one of whom is a woman, use shears to cut the wool of sheep. With the exception of the imaginary mountains, the landscape shows, in the foreground, the Boivre River where it flows into the Clain, near the palace of the Count of Poitiers."

In the background is the Palace of Poitiers - which was rebuilt by Jean I, duc de Berry between 1384-86.

Links:

• The Limbourg Brothers - and "September" 18 Sep 2012
• "October" - Limbourg Brothers (Autumn Landscape #11) 24 Oct 2012
• March: Peasants at Work on a Feudal Estate by Limbourg brothers 27 Mar 2012

Bill Guffey's plein air painting kit

Following on from the last post about an artist's plein air equipment. here's Bill Guffey's kit which he explains in this post - My Plein Air Equipment on his blog Bill Guffey.

See a larger version in Bill's post

You can see larger images of the kit on his post - just click an image in his post to see the larger version.

I hope this gives you an idea of what, how and why I pack what I do to go paint in the great outdoors. If you have any questions, please let me know and I'll see if I can answer them for you.

Bill is a Kentucky artist who paints in oils.  He's a member of the American Impressionist Society and an associate member of the Oil Painters of America. You can see Bill's paintings on his website http://bnguffey.com/

He founded the Virtual Paintout blog for those painting from views seen via Google Paintout.

Links to more posts on this blog about Bill Guffey:

• Bill Guffey and Virtual Paintout on Canadian TV 27 Aug 2010
• 'Virtual Paintout' wins The Best Art Blog Project Virtual Challenge Cup 07 Jan 2011
• Bill Guffey paints a winter landscape plein air (video) 30 Jan 2011
• Plein air painting demo by Bill Guffey 27 Oct 2011